Original Electronic Dance Track, “No More”

Uploaded a new dance track for your listening -hopefully- pleasure, No More:

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Lyrics

No More

You’re dreaming

A flight into the blue

Of crashing waves behind you

And a sense of solitude

 

You’re leaving

You’ve been here for a while

The lies that you’ve been living

Disguised by every smile

 

Keep breathing

Take one day at a time

When falling down

Look around

With nothing left behind

 

I’m hoping

Hoping that you land

You’ll realize you’re not alone

And reach out for a hand

 

You’re floating

Floating out to sea

And waiting

Waiting on a dream

 

Well I’m right here

And you’re not there

You hide inside

And no one cares

 

You’re broken

There’s no one else to blame

Been dragged around

Kicked while down

So tired of the game

 

So wake up

Not too far away

You’ll watch the sunrise breaking

On a beautiful new day

 

You’re waiting

Waiting on a dream

You’re floating

Floating out to sea

 

I’m hoping

Hoping you can see

You’re making

A life that has meaning

 

 

Well I’m right here

And you’re not there

You hide inside

No one cares

 

Well I’m right here

No more lies

You’re moving on

So say goodbye

 

Say goodbye

For better creativity, protect your alone time

In my experience, the office has never been a particularly conducive place for creativity. Instead, it likes to pop out at times when I used to least expect it, such as during runs, or washing dishes (as mentioned in this article by HBR). I am a big proponent of time away from the office but would add that time away from family and friends is important as well. That solitude needs to be in place (as well as that phone shut off) for a complete sense of quiet, solitude and security in knowing that your ideas are yours alone to fuss over.

creativity at work
ANDREW NGUYEN/HBR STAFF

In our contemporary offices and always-busy lives, alone time can be difficult to come by. But successful creative thinkers share a need for solitude. They make a practice of turning away from the distractions of daily life to give their minds space to reflect, make new connections, and find meaning.

Great thinkers and leaders throughout history — from Virginia Woolf to Marcel Proust to Apple cofounder Steve Wozniak — have lauded the importance of having a metaphorical room of one’s own. But today’s culture overemphasizes the importance of constant social interaction, due in part to social media. We tend to view time spent alone as time wasted or as an indication of an antisocial or melancholy personality. Instead, we should see it as a sign of emotional maturity and healthy psychological development.

Of course, positive social interactions and collaboration are a critical part of a healthy workplace. But while some people may be inspired by experience and interacting with others, it is often in solitary reflection that ideas are crystallized and insights formed. As author and biochemist Isaac Asimov wrote in his famous essay on the nature of creativity, “Creation is embarrassing. For every new good idea you have, there are a hundred, ten thousand foolish ones, which you naturally do not care to display.”

Now science has reinforced what countless artists and innovators have known: solitary reflection feeds the creative mind. In recent years, neuroscientists have discovered that we tend to get our best ideas when our attention is not fully engaged in our immediate environment or the task at hand. When we’re not focusing on anything in particular — instead letting the mind wander or dip into our deep storehouse of memories, ideas, and emotions — the brain’s default mode network is activated. Many of our most original insights arise from the activity of this network, or as we like to call it, the “imagination network.”

Its three main components — personal meaning making, mental simulation, and perspective taking — often work together when we’re reflecting. Using many regions across the brain, the imagination network enables us to remember the past, think about the future, see other perspectives and scenarios, comprehend stories, understand ourselves, and create meaning from our experiences.

As mentioned above, activating this network requires deep internal reflection — the state that many artists and philosophers refer to when describing how they arrive at their most original ideas. This type of reflection is facilitated by solitude, which is why we often get creative insights when we’re relaxing or doing mundane, habitual tasks like showering or washing the dishes.

Unfortunately, most people rarely give themselves time for purposeful contemplation. While the modern workplace is often not conducive to this type of alone time, there are things managers and their teams can do to reclaim solitude and improve their creativity — without diminishing collaboration.

One solution is to give employees the flexibility to work remotely, particularly when they’re focused on creative assignments that require them to generate new and original ideas. Another is to designate an office or conference room for quiet work. But most of all, managers should let employees know that they’ll respect their individual work styles, and that slipping away from their desks to think in solitude is OK. In fact, managers should actively encourage this for improved creativity, as well as urge employees to take all of their vacation days. Having time for periodic rest and reflection will give your team the space to replenish their creative energy.

It’s time to allow creative workers (and who doesn’t have to solve problems creatively these days?), as Zadie Smith advised, to “protect the time and space” in which they work. Doing so helps lay the foundation for true innovation.

BY:

 

Original POST

Lady Gaga and the Life of Passion

For all you entrepreneurs, intrapreneurs and change agents out there, let’s take a closer look at passion. The real takeaway? This question: Who would you be and what would you do if you weren’t afraid?

Passion
Lady Gaga at the Americans for the Arts awards ceremony. Credit Joe Schildhorn/BFA

Earlier this week I watched some young musicians perform Lady Gaga songs in front of Lady Gaga. As India Carney’s voice rose and swooped during the incredible anthemic versions of her dance hits, Gaga sat enraptured. Her eyes moistened. Occasionally her arms would fling up in amazement. Finally, she just stood up and cheered.

It was at a dinner hosted by Americans for the Arts, a leading nonprofit organization promoting the arts and arts education. Gaga received an award, along with Sophia Loren, Herbie Hancock and others. Her acceptance speech was as dramatic as the music. Tears flowing, she said that this blessing of respectability was “the best thing that’s ever happened to me.” And she remembered her childhood dreams this way: “I suppose that I didn’t know what I would become, but I always wanted to be extremely brave and I wanted to be a constant reminder to the universe of what passion looks like. What it sounds like. What it feels like.”

That passage stuck in the head and got me thinking. When we talk about living with passion, which is sort of a cliché, what exactly do we mean?

I suppose that people who live with passion start out with an especially intense desire to complete themselves. We are the only animals who are naturally unfinished. We have to bring ourselves to fulfillment, to integration and to coherence.

Some people are seized by this task with a fierce longing. Maybe they are propelled by wounds that need urgent healing or by a fear of loneliness or fragmentation. Maybe they are driven by some glorious fantasy to make a mark on the world. But they often have a fervent curiosity about their inner natures and an unquenchable thirst to find some activity that they can pursue wholeheartedly, without reservation.

They construct themselves inwardly by expressing themselves outwardly. Members of the clergy sometimes say they convert themselves from the pulpit. By speaking out their faith, they make themselves faithful. People who live with passion do that. By teaching or singing or writing or nursing or parenting they bring coherence to the scattered impulses we are all born with inside. By doing some outward activity they understand and define themselves. A life of passion happens when an emotional nature meets a consuming vocation.

Another trait that marks them is that they have high levels of both vulnerability and courage. As Martha Nussbaum wrote in her great book “Upheavals of Thought,” to be emotional is to attach yourself to something you value supremely but don’t fully control. To be passionate is to put yourself in danger.

Living with this danger requires a courage that takes two forms. First, people with passion have the courage to dig down and play with their issues. We all have certain core concerns and tender spots that preoccupy us through life. Writers and artists may change styles over the course of their careers, but most of them are turning over the same few preoccupations in different ways. For Lady Gaga fame and body issues predominate — images of mutilation recur throughout her videos. She is always being hurt or thrown off balconies.

Passionate people often discover themselves through play. Whether scientists, entrepreneurs, cooks or artists, they explore their issues the way children explore the possibilities of Play-Doh. They use imagination to open up possibilities and understand their emotional histories. They delight in new ways to express themselves, expand their personalities and move toward their goals. Gaga, to continue with today’s example, has always had a sense of humor about her projects, about the things that frighten and delight her.

Second, people with passion have the courage to be themselves with abandon. We all care what others think about us. People with passion are just less willing to be ruled by the tyranny of public opinion.

As the saying goes, they somehow get on the other side of fear. They get beyond that fog that is scary to approach. Once through it they have more freedom to navigate. They opt out of things that are repetitive, routine and deadening. There’s even sometimes a certain recklessness there, a willingness to throw their imperfect selves out into public view while not really thinking beforehand how people might react. Gaga is nothing if not permanently out there; the rare celebrity who is willing to portray herself as a monster, a witch or disturbing cyborg — someone prone to inflicting pain.

Who would you be and what would you do if you weren’t afraid?

Lady Gaga is her own unique creature, whom no one could copy. But she is indisputably a person who lives an amplified life, who throws her contradictions out there, who makes herself a work of art. People like that confront the rest of us with the question a friend of mine perpetually asks: Who would you be and what would you do if you weren’t afraid?

by David Brooks in the NYTimes

Original POST